But is it ‘Photography’ ?

MRMC is a NIKON owned company that manufactures robotic camera equipment. They build machines which can photograph or video in extreme conditions, or where repeatable motion is required etc. Everything is computer controlled to the point where AI (Artificial Intelligence) is fast becoming ‘built in’ and which renders the equipment almost completely autonomous in certain situations.

There have been reports hi-lighting the use of numerous MRMC setups during the recent World Cup football games in Qatar. The camera rigs have been mounted high up in the football stadiums (stadia?) and equipped with 100-400mm zoom lenses. Everything was ultimately controlled by a few humans, but it seems that both the ball AND the players have radio trackers and in consequence, the MRMC equipment could be ‘tuned’ to follow one or other of the trackers during a game.

My question is simple: is this photography?

In the sense that an image is recorded on a film or sensor, then yes, obviously it is. But to the purists like me, having a human eye in a viewfinder watching and anticipating (and oft times failing to capture) any given moment is a fundamental part of ‘photography’.

A couple of years back, during our annual ‘pilgrimage’ to Perpignan for Visa, we were presented with a large exhibition of wildlife photographs by an American photographer. The big cats, extremely hard to photograph in the wild, were presented in close-up etc. and the photographer was proudly showing off the camera setup – cameras in waterproof boxes linked to infra-red sensors which triggered the camera when something passed in front of it. The ‘photographers’ job was to simply place the boxes (based on information from his local trackers presumably) turn the system on, then retire to a safe distance to have a fag, read a book and let everything happen. Then the next morning or whatever, to return and collect the boxes and see what ‘he’ has managed to capture.

Sorry mate – whilst I’m interested, and impressed, by the technology, it simply isn’t photography as I understand it. In effect, it was the animals themselves which ‘took’ their own photographs…which to me renders the whole operation meaningless. With no human intervention, and the ‘chances’ which automatically go along with that, this is NOT photography to me.

Topaz Photo AI

I must admit I didn’t think I’ve ever be singing the praises of a piece of software with AI (machine/automatic learning) but I am slowly coming round to the fact that TOPAZ might actually have something here.

I waited until a suitable moment (A: I had some spare dosh, and B: there was a VERY attractive offer on…) and ‘invested’ in the TOPAZ photo suite (Photo AI which is the entire suite, with individual standalone programs for sharpening, removing noise and over-sizing.)

The following images show what can be achieved with no unpleasant bending or exercise whatsoever… (« …wrestle poodles and win » Viv Stanshall)

ISO 200 – 1/4s f/8 – no post treatment

TOPAZ Photo AI on ‘auto’ with sharpening activated

In truth there’s not a HUGE difference, and certainly nothing at this scale will show up (click on the little ‘+’ button and enlarge it as much as it allows) but the noise (albeit only ISO 200) has been radically ‘smoothed’ and if I were attempting a very large print, it would be the way to go.

Here’s another example:

ISO 200 – 1/4s f/8
TOPAZ Photo AI

I’m not much of a ‘post treatment’ junkie – principally ‘cos I’m not very good at it – but I can imagine this software coming into it’s own when I need to produce very large copies of my images. The ‘over-sizing’ program Gigapixel AI makes a very good job (I’ve only tested the 2x computations) of the images – keen to try a couple of images at large scale with and without the software changes, just to see how the quality stands up.

One of the risks of ‘AI’ is that the smoothing applied smooths to the point of creating weird artefacts which pollute the image – training is going to be necessary here…

Harry & Meghan

I’ve managed to resist thus far, but I’m sad to say that this situation has grown to such a point that I feel I must put my feelings in print.

I think it’s fairly clear now to one and all (but sadly not the British public) that Meghan Markle didn’t get what she wanted when she married Prince Harry. This could be understood possibly if she hadn’t previously been ‘warned’ by the people at ‘the firm’ about what was ahead – a thick dossier of information about when and how to do things, why they had to be done etc. to the point of having a series of contact numbers of people who could explain more regarding each point raised.

As a ‘B’ series actress who, judging by subsequent reports, is in a minority of one regarding the quality of her acting abilities, she presumably thought that she would get her way – and Harry, possibly not the brightest of the bunch, was there backing her up all the way « What Meghan wants, Meghan gets »

This farce will run dry soon when people get over the ‘revelations’ (or rather pure invention) voiced in their podcasts, interviews, Netflix series and shortly, books, but I think it will leave a stain that will be hard to erase completely.

Personally I think it’s sad that our well-loved and hard-working Queen, and royal family needs to be dragged into all this rubbish, but I find it significant that the worst accusations are coming out after the Queen died and can no longer stand up for herself, or indeed set the record straight – what a proud little prick Harry must feel.

Jealousy is such a nasty thing – and washing dirty laundry in public too.

Thinktank Photo

Think Tank Photo are a company based in the US who design camera bags. Most if not all are manufactured outside the US but they’ve become known for hardwearing, practical designs and I was won over a few years ago with their ‘Retrospective’ series – made out of rugged canvas, zillions of pockets and supplied with a rain cover.

(For info, the V2.0 series has improved the weatherproofing – with a zippable interior cover, and a water bottle pocket, amongst other innovations)

ThinkTank Photo Retrospective 30 V2.0

I’m keen for several reasons, but these bags don’t really look like camera bags, which suits me down to the ground. Some people like ‘wearing’ a camera bag like it was a trophy, I prefer the subtle approach – also, less like to be stolen…

The only small fly-in-the-ointment is that the anti-slip pads glued onto the cushioned shoulder strap have a nasty tendency to come unstuck. This is not the end of the world, but it’s annoying – I’m now getting used to finding my pot of neoprene glue and ‘repairing’ this.

Anti-slip pads coming unstuck…

This came to a head when my latest purchase started suffering from this problem after only 2 or three months use. So I wrote them a letter…

A nice man called Jonathan K replied very quickly and has offered to send me a replacement shoulder pad (for free) – this is held on with Velcro – makes one wonder why they doesn’t do this for standard…? Anyway, it’s a solution to this problem – I’ll keep the neoprene glue for the 5 other TTP bags I own…. 🙂

Replacement shoulder pad

Top marks to Think Tank Photo for their reactivity – looking forward to receiving this.