Mois : mai 2017

 

Nice sunny day, so we decided to visit Villeneuve-sur-Lot – not just a random thought, as there is an exhibition of the work of Jean Dieuzaide at the Musée de Gajac until the 18th of June.

The exhibition is not huge, but the images are interesting – very varied. Aside from the fact that several seemed to be hung slightly ‘wonky’ on the walls, and the smaller prints had dreadful matt boards (cream coloured – made the frames look very old) – the exhibition was well spaced and lit.

This image was probably our favourite – a true work of art in my opinion.

At the moment it’s the ‘Mai de la Photo’ at Villeneuve and a number of expos are available all over the town. Sadly as it was a Sunday, not all were open but we did manage to visit the Tour de Paris where a young photographer was exposing her ‘glamour’ work. Can’t say we were really convinced – but it takes all sorts!, and above all it was worth the trip to see everything.

Today, it seems, we have to be so careful what we say, or write – particularly on Internet. People seem to have adopted the American attitude of suing everyone for the most ridiculous reasons. So much for freedom of speech.

I mention this simply because if I were to publish the following on a public forum I’d no doubt be banned (again) !

This was brough home to me recently when I was reading some posts on the Nikon Rumours Forum and realised that I simply couldn’t reply or comment.

There are a few very reasonable photographers who post their ideas and desires, and a whole host of people who really shouldn’t be allowed anywhere near a camera who post all sorts of totally unremarkable dross.

One of them (« With more than 55 years experience » according to his FLIKR profile) only posts images taken three or four years ago – thus prompting the thought that he still hasn’t quite got used to his latest DSLR purchased two years ago – interestingly, despite the fact we never actually see any of his more recent rubbish, sorry, images, he’s the first to be « waiting for the revised edition » of his current camera. WTF.

I rest my case…

Anyway… after reading a few posts from largely ignorant (but visibly quite wealthy) people who consider themselves ‘experienced photographers’  I came to the conclusion that the large majority of these people relied entirely on the camera to take/make their images, seemingly forgetting that the camera, in my opinion at least, is simply a tool to record what the photographer wants to portray.

More than one of these amazingly ‘experienced’ people made the comment that despite having recently purchased a recent digital reflex camera, that they were eagerly waiting for the next model – but why? The current model does about 3000 times more than they will ever need or understand, so does this mean that the fact that they are incapable of using it and creating decent images mean that the next model will do this any better for them?

I can better understand the camera manufacturers marketing now – they aim everything at these idiots, knowing full well that they will buy every new model, not for it’s capabilities, but because they think they will suddenly take better pictures!

Great strategy!

For the past three or four years I’ve come across a man standing in the from row, taking photographs of the artists at Welcome in Tziganie. We never really had the opportunity to talk until this year when we actually spoke a little, and after the festival it dawned on me that it was Jean Jaques MOLES a photographer based at Maubec in the neighbouring department Tarn-et-Garonne.

He has most recently exposed work at the Abbey de Flaran in the Gers, and I remember really liking some of his work when we visited the exhibition earlier this year (before I realised who he was).

We exchanged a few e-mails after the festival, and this exchange has left me a little confused. He made a comment regarding the photographs he’d seen on my site :

« I found your images very ‘harmonious’ with respect to the lighting – and it’s for this reason that I think you ‘treated’ them before publishing. I don’t treat my images »

I really don’t know what to say –  yes, I ‘adjusted’  the exposures it’s true – this is inevitable in a concert situation where the lighting changes as the artists move on stage. Does this mean he doesn’t like anything that has been ‘adjusted’? I find this a little old-fashioned, frankly.

Sad really – I’d hoped this friendship might develop.

It’s been a while but I’ve had a lot on my plate just recently – what with the preparations for our Marathon Photo, and a new workshop for school kids, it’s been all systems go. To top this off, the annual Welcome in Tziganie festival was this weekend – three days of gypsy music (and photographs!)

This was one shot I was particularly pleased with – this is Stochelo Rosenberg one of the worlds top jazz manouche guitarists – he played with a group with two of my friends, Yannis Constans (guitar) and Camille Wolfrom (double bass). I wanted to try to convey the fact that the important aspect was this mans hands – I think it works.

This is the main tent set up in the ‘arena’ at Seissan – the first night was completely sold out (over 3000 people present) probably due to this man…

Goran Bregovic played his only French date for this year – and was well appreciated.

A good festival this year, photographically speaking, but I can’t help feeling that a few more dancers would have helped – these kind of bands can be incredibly ‘static’ and someone like Nuria Rovira Salat would have really got everyone going. Apparently there’s a rumour that she’s being invited for next years festival…

See what I mean! This was from 2015