Ian's-tagram

Not a lot going on at the present time – aside from « The Trump » causing havoc worldwide – hopefully that will all calm down once someone louder than him convinces the few people who seem to protect him that he’s a dangerous child…

Leica news. I’ve never been a fan, principally due to the extortionate prices, but the quality cannot be denied. Despite my criticism, the people in Wetzlar have just released the Leica M-11 P Safari and it’s got me drooling…

« If I said you had a lovely body would you hold it against me? »

I simply can’t get used to the rangefinder focusing, and for what I do, this would be a deal breaker. Sad but true (well, ok, I don’t have the cash either) 9250€ without a lens…(It’s worth mentioning that the lens shown here actually costs 3850€ itself…which makes the whole package worth roughly 13,000€)

Ona much more realistic level – certainly price wise, AstrHori are busy packing up my latest lens purchase which will soon be on it’s way to me for the modique sum of 120€

This is the 6,5mm f/2 Fisheye 192 degree field of view, as can be imagined by on of their publicity shots

This is going to be fun! This is designed for APS-C cameras so will go very nicely with the Z30 – can’t wait.

This weekend is Déclic – 15th edition – more on all of this later…

The first of April we launched this years Marathon Photo Déclic – so far, after just over 2 weeks we have 24 people signed up – hopefully this will evolve over the next three weeks of inscriptions.

We even had an article in the Dépêche, which, for once, was actually accurate… (Though I’m certainly not convinced by the photo !)

We’re staying local this year – and despite the fact that everyone will want to climb up to the ‘haute’ ville for each thème, it’s really not necessary – there’s loads of ways to realise your photos in the ‘basse’ ville…

Had some ideas for next years themes already … 🙂

Well I suppose it had to happen one day – the powers that be who now own FLICKR have decided to limit the size of any possible downloads to 1024 x 680 – they ‘accuse’ people of using FLICKR as a useful cloud-based storage system.

To some extent this is true, but realistically with the possibility of storing 1000 images I don’t see this as a really viable alternative to dedicated storage systems (Backblaze, for example)

FLICKR now charge 73$ US for a years ‘subscription’ – this is not totally unreasonable, but the downside is that nothing is transparent, and anyone can download a decent sized image and claim it as their own.

In addition, the no-hopers (like Totshit and all the other bum bandits out there) publish so much dross that the place is fast becoming a real dive – so bye bye losers.

Oh wonderful – FUJI have just announced a wonderful way for our gay friend Titscum to waste more of his retirement pension – the GFX RF

This is a medium format (102Mp) camera with a, wait for it, fixed 35mm lens !! And at only 5499€ a real steal.

Remember that 35mm on a medium format is roughly equivalent to a 28mm lens on a 24×36 format camera. Now as much as I love wide angles, not so much the 28mm which isn’t really wide enough for me, I can’t help thinking that this doesn’t make this camera particularly useful in a general sense.

In addition, the lens is an f/4 which is pretty slow for a modern camera.

This of course won’t make any difference to our friend – he hasn’t yet posted anything remotely ‘photographic’ with his new Leica, so why would that change if/when he buys himself a FUJI….

I really wish someone could explain to me this sudden interest in anything and/or everything to do with film? (I’m talking here about 24×36 not movies)

Retro my are – everyone seems to think that film is THE thing and anything not produced with a film camera isn’t worth anything at all.

I just can’t see it. A local ‘photographer’ (and I use the term politely) recently had an expo at our local psychiatric hospital – the subjects were the patients taking part in workshops etc. and aside from being very boring, the initiative was a good one. The ‘photographer’ was very proud of his work (and why not) and pointing to the film camera around his neck, made a HUGE point that ‘I only use film’

Yeah – and so what? Most digital cameras are equipped with a B&W setting, and more often than not this works very well – this can be further tweaked by adjustments in Photoshop (or any photo treatment software) so what’s the point?

Yes, to some extent I agree it’s nice to « go slowly » and relish the exposure of just a few frames, then the darkroom experience of developing the film, back to the darkroom to enlarge the images etc. etc.

I work a lot with very dynamic circus companies and frankly working within the constraints of a film medium would just not be possible for me. Nothing to do with developing etc. – more the fact that the sensitivity of the camera sensor and the advances in automatic focusing etc. make my life SO much easier – one thing that people see to forget is that while people are spending all their time on settings, I very rarely miss a shot – which, to me at least, is a fundamental which cannot be ignored.

OK it’s not the same for most scenic countryside images, I would be the first to agree – and I’m firmly convinced that black and white photography has a place, and a well deserved one, in current photography.

Leica, never ones to miss an opportunity, have of course produced uniquely B&W digital cameras, one of which doesn’t even have a rear screen – this is going from the sublime to the ridiculous, in my book!

Peter Lindbergh sadly left us back in 2019, but his huge legacy lives on – and frankly it’s so stimulating to look at his work. It’s not simply the case that he managed to attract some really very attractive women infront of his lens, but more the beauty and sincerity of his images.

I recently received his book « Shadows on the Wall » which came out in 2017. This book is made up of images (some of over 37,000 it seems) taken during shooting for the 2017 Pirelli Calendar.

This image shows the sheer size of the book !

The women photographed are not models in the traditional sense, and they’re not treated as such – no make-up (or at least, very limited make-up) and the images – these are actresses for the most part, people we’re used to seeing with make-up, and hair prepared, wearing beautiful clothes…

The individual comments from each person photographed show the warmth and appreciation of Peters approach to image creation – with the most common reflection that he is never stressed, talks little, and just lets the person a huge freedom, both of movement and expression.

This shows in the images – some obviously ‘stronger’ than others, but all beautiful, textured with terrific warmth – faithful to his wish that he prefers black and white photography to colour.

Peter makes the point (in an video about this shoot on YouTube) that he doesn’t use PhotoShop or any other image treatment on a computer – what you see is what you get, in the sense that we see in this book exactly what he saw looking through the eyepiece of his camera – faults and all! Frankly I can find little fault with anything I’ve seen here…

At the moment of writing, the publisher TASCHEN is offering this work (of art, really) at 49€ post free.

(I’ll keep the post on geo-politics for another day – this is personal)

Here in the town I live, we have a well equiped centre devoted to circus arts. For some years now I have ‘worked’ here for free as a photographer – interesting to note that there are now 388 albums of photos dedicated to Circa on my site (Circa is the name of the association that runs this place)

Up until recently, it was pretty straightforward – the person dealing with the artists at Circa would alert me to the fact that a company was arriving for a residency (usually 10 – 14 days) and I would contact them and visit to photograph whatever it was they were doing.

As a general rule, the companies were in the ‘creation’ stage, which means anything between first steps, and nearly finished, but very often something was missing – lighting, costumes, music etc. As such, many of the photos I took were fine for a ‘history’ of what they were doing, and where they had got to, but rarely useable for publicity. The albums of photos I created were interesting, but I rarely received orders for images.

Sometimes however, the companies request a ‘shooting’ – this is good as it’s A: paid work, and B: usually preparing for publicity, press releases etc. This is much more interesting as we can do a kind of ‘stop-start’ performance where sometimes I ask them to repeat a sequence as I’ve found a better angle etc. Most times the companies go away with a batch of images, and I see my name in lights !

Sadly, the last four rersidencies have simply not gone according to plan – and this is very frustrating.

Either I spend a long time waiting for nothing to happen – one time I waited 4 hours for the artist to suddenly decide he had a sciatica and couldn’t perform.

And on three occasions I’ve sent the link to the albums to the artists – and heard NOTHING in return.

Here are some shots from two different companies who, to date, have not even bothered to thank me for my efforts

The idea of presenting the images like this is actually two-fold – it gives a much better indication of movement, and in the event that the company hasn’t organised it’s costumes at the time of the residency, the fact that they are not clear in the images means that the images can still be used for pre-publicity.

I don’t want to stop doing this – I actually quite like trying to give life to otherwise static performances – but I can’t help thinking that these people are taking the piss….

One of the two frustrating things with the new Mac mini M4 is the lack of ports.

(The other one is the stupid start button…)

A Chinese company called RayCue have come up with a good addition, in my view.

In addition to extra ports, it’s also possible to include an NVMe storage inside the hub itself.

These are the additional ports available. The one marked USB-C Host is for the liaison with the Mac mini, but this hub allows an easy way to add a second screen on HDMI, and four additional USB ports. There are also SD and microSD cards slots on the front which for me is an added bonus as before I had three card readers laying around on the desk.

Very neat – this said the order process is very wearing – RayCue do not reply to any mails or questions other site and for some time I wondered if this wasn’t just another Internet scam – until I received confirmation that the package had finally arrived in France – phew.

It’s here and it works – can’t ask more than that.

The end of the year has caught up with me/us – possibly the fact that it’s been so mild recently – somehow the Christmas needs snow on the ground to be really authentic.

The local council here in Auch provide us with a small spectacle every year, and unlike last year where we had people waving flame-throwers everywhere in pouring rain, this year we had illuminated kites flying over the centre of the town.

We were lucky with the weather and this drew a large crowd.

After a time dancing around the square, the kites floated down towards the cathedral.

As unexpected as it was beautiful, the cathedral facade then played host to a projected video image…

The municipal decorations made it fairly clear where we were…

All in all a very pleasant way to spend an hour in Auch on a chilly winters night.

This is the term generally used to describe self-published books where authors pay to publish their own book instead of passing by the more traditional book editors.

I recently purchased a new photographic book by well known actress Audrey TATOU. She teamed up with the crew from the French magazine FISHEYE and this is the result which was published on the 29th of November 2024.

Frankly I’m at a bit of a loss as to what to say about this collection of images and texts…which makes me think of the title of this article.

TATOU is known as a keen amateur photographer, and past images, although few and far between, have shown a certain competance – this cannot be denied. However, the texts (many from her days of filming « The Fabulous Destiny of Amelie Poulain » in 2000) and the photos are supposed to « …questionne son statut de star avec humour et profondeur » question her status as a star with depth and humour.

I beg to differ – I find nothing particularly interesting, humouristic or profound in pages of ‘contact’ prints of lighting setups or postage stamp portraits (to my mind, completely out of context) taken during filming.

© Audrey Tatou

© Audrey Tatou

I feel sure that there is some deep and meaningful logic to all this, probably only discernable to people who know her well, but I can’t help thinking it’s taking the piss.

Sorry Mme Tatou but for once I really can’t help thinking you could do better than this…or as they say, don’t give up the day job.

3/10 must try harder