Contrast 101

Here’s a example of how a little « treatment » can enhance an image. Some people would throw up their arms in horror and say stupid things like « This never happened before Photoshop » etc.

Of course it did – for more than 80 years there have been a whole series of different contrast printing papers that photographers put to good use in their darkrooms. With the advent of colour photography, home printing became more complex, but « adjustments » were always made, to increase or decrease colour temperature, take out dust etc. To say we have never « treated » images before Photoshop is a fallacy. Click on all the images below to enlarge them.

This is the final « treated » image

To get there, we started with this…

…which has had no colour or exposure adjustments – just simple noise reduction and lens correction.

I applied a few very simple adjustments to get this…

…which isn’t too bad, but I felt it needed a little more contrast…and I also added a « vignette » to loose the hard edges…which became the final version.

I also created a black & white version, just for fun, as high contrast black & whites are a favourite of mine…

It’s ok – but I think I prefer the final colour version – I fully realize that I’m in a minority of one, and probably the only person who likes this – I just thought it showed a very simple approach to creating a more interesting image.

But don’t forget – the original image needs to be correctly exposed in the first place. The people who blindly fire off their cameras all over the place, not taking any account of the exposures, are basically wasting their time – when they download the initial images they will have to spend a considerable time trying to get them back, more or less, to a « correct » exposure (but isn’t really) and then even more time and effort to fine-tune the image to make it worth looking at, which more often than not, it isn’t.

Getting it right in the camera is primordial – with a good base, you can pretty much do whatever you want.

National Daughters Day – wtf?

I can’t believe I missed this – and I feel sure my daughters will never let me forget it – but I seem to have let National Daughters Day * pass without sendind a card…

Please excuse me – in my defense, I had no idea that there was a National Daughters Day…

I’m Googling « National Left Thumb Day » and « National Clean Underpants Day » to check the dates – best to keep ahead.

Can’t help thinking that « National Blue Sock Day » could be fun…

* It was on the 25th of September

 

Sometimes I wonder…

Sometimes I wonder if these idiots do these things on purpose. I mean, they can’t really be this stupid, can they?

Recent in a long line of #stupidquotes, here’s Mary Carryonbag, otherwise known as Pariah Carey, I’m sorry, Maria Carey:

« Whenever I watch TV and see those poor starving kids all over the world, I can’t help but cry…I mean I’d love to be skinny like that, but not with all those flies and death and stuff. »

And of course we can’t forget Ronald Bump:

Talking about John McCain, « He’s not a war hero. He’s a war hero because he was captured. I like people that weren’t captured, OK, I hate to tell you. »

And surprisingly for Al Gore;

« A zebra does not change its spots. »

It seems to me that there’s an inverse correlation between the dollars in ones bank account and the neurones in ones brain.

 

The holidays are over

Yes, we’re back in Auch.

Visa was, as usual, superbe – the Kevin Frayer exhibition was, to us at least, the best offering this year. Remember this?

Camp de réfugiés de Balukhali, Cox’s Bazar, Bangladesh, 20 septembre 2017. Un garçon rohingya désespéré s’accroche au camion d’une ONG locale qui distribue des colis alimentaires d’urgence aux réfugiés récemment arrivés.
Balukhali refugee camp, Cox’s Bazar, Bangladesh, September 20, 2017. A desperate Rohingya boy clambering onto the truck of a local NGO distributing urgent food supplies to newly arrived refugees.
© Kevin Frayer / Getty Images

Kevins exhibition was in the Eglise des Dominicains in Perpignan, where we had seen Don McCullin’s exhibition a few years ago – magnificent background to truly exceptional photographs.

Our visit to l’Hérault was just what we wanted too – exploring the area in the mornings, and reading books by the pool all afternoon – what more could we ask…

This is from Cazavieille, Hérault.

After a week we left and traveled ‘overland’ (ie; not on motorways) to a tiny village called Volx in the Alpes de Haute Provence – another week of exploration and reading by the pool – it was, after all a HOLIDAY.

This is from Simiane-la-Rotonde, Alpes de Haute Provence.

Sunrise, viewed from our terrace – Villeneuve, Alpes de Haute Provence

Next stop? Surely the most important thing coming up is the Festival CiRCa in October… More on that later…

 

It’s that time again

September already? Must be time to visit Perpignan.

Yes we’re off again this weekend (PS Key’s Under the mat…) and judging by what I’ve been able to see on Internet, this years exhibitions should be very interesting.

All the usual places to visit, with a very full day in prospect as we review all that’s up for offer. Here are a few examples of stunning work from some of the worlds photo journalists being shown at Visa for the Image this year.

Balukhali refugee camp, Cox’s Bazar, Bangladesh, September 20, 2017. A desperate Rohingya boy clambering onto the truck of a local NGO distributing urgent food supplies to newly arrived refugees.
© Kevin Frayer / Getty Images
A Palestinian hurling stones at Israeli troops during the fourth weekly protest on the Gaza-Israel border. According to medical officials, two Palestinians were killed by Israeli troops firing across the border fence. April 20, 2018.
© Khalil Hamra / The Associated Press
World Press Photo of the Year

Venezuela Crisis
Caracas, Venezuela, May 3, 2017. José Víctor Salazar Balza (28) caught fire during clashes between riot police and demonstrators protesting against President Nicolas Maduro.
© Ronaldo Schemidt / Agence France-Presse

The eternal paradox – I’m impatient to see what dreadful pain and sufffering are being wrought in our world.