After months of farting around, a large Orange van (well, the van was actually white…) arrived this morning complete with ladder – and two kids got on with running the cable. It took a while principally because the two doing the installation took their time – but it was working in three hours.
I ran a speed test before changing over, and I was getting 8 Mb/s down and 0,8 Mb/s on up. When I plugged my system into the new ‘Livebox’ I instantly got 80Mb/s down and 170 Mb/s up – so, roughly 170 times faster than this morning – ok, I’ll go for that.
As an example of the advantages of having a faster upload, in one hour this morning my LARGE backup safeguarded the equivalent of a WEEKs previous safeguard…
This, at 14h CEST the 19th of June 2019, is what all the fuss is about…
Well for all Hasselblad fans this is NEWS. The XID, Hasselblads excursion into the world of mirror-less cameras, has been updated and here is the X1D Mark ll.
6000€ without a lens….so I sincerely hope it HAS been updated…
It’s a gorgeous peice of kit – made out of a single chunk of alluminium it’s relatively small and light at 650g (without a lens) . It keeps the 50Mp sensor (43 x 32mm) from the previous model, with a 3.6 inch rear touch screen and a 3.69 OLED viewfinder it’s really a very interesting beast.
It takes dual SD cards, has USB-C connectivity (and WiFi and Bluetooth of course) and is launched with the new XCD 35-75 f/3,5-4,5 zoom lens. This brings the range of lenses up to nine – from the 21mm f4,0 Ultra-wide up to the 135mm f2,8.
Now all that’s left is to find the ????€ to buy one….
PS Hasselblad also launched the 907x body today – here it is stuck on the front of the CFV ll 50c sensor back…
Sadly, as yet, there is no price published for this.
What a great way to celebrate our two (Gemini) birthdays – a long weekend in Berlin. And it was great – the weather was fantastic, there was loads to see, the people were great, and the food was good – what else could we want?
Our chosen hotel was very well placed – and very well served by the U-Bahn (metro) – the 72 hour all-transport pass we purchased was well used by the end of our stay!
We had booked an « Alternative Berlin » Walking tour, which started at 14h on our first day – the meeting point was infront of the Brandenburg Gate…
The tour guide, Sophie, was Welsh and was able to anwser most of our questions – the Walking tour took three hours and we visited the three major areas of the city, crossing backwards and forwards into the old Eastern and then the Western parts of Berlin as we walked.
It was 31° in Berlin when we were walking – but although we had no feet by the end of it, we were able to spotlight areas we wanted to visit during the following two days.
The East Side Gallery is a 1,3 kl stretch of wall that remains to the East of the city and has been dedicated to street artists, with the previso that they paint on the Eastern (otherwise unseen) side of the remaining concrete wall.
The following two days were almost as warm, but just as exhausting as we wanted to see everything! We decided to go out late at night to see what was lit up – and we weren’t disappointed…
Walking behind the Brandenburg Gate and the Bundestag, we discovered a very recent development of office buildings which looked terrific at night. This is the Paul-Löbe house and the Bundestag Library.
During the week the Berliners seem to come out at night, and the parks and open spaces were filled with people lounging around, drinking a beer and listening to live music…brilliant place!
Great trip – wouldn’t hesitate to recommend Berlin as a place to visit.
One of the minor disadvantages with the new Nikon Z series cameras is the size. It’s actually both good and bad – good in that there is a lot less bulk flaying around the shoulder, but bad in that for people with largish hands, the grip (to the right side of the body) isn’t deep enough vertically and the last (little) finger tends to be left floating.
Nikon have announced development (What? This should have been available when the body was announced – it’s only a battery case) of the MB-N10 which will provide room for two EN-EL15b batteries (but strangely, no shutter release, AF-ON buttons etc.) – the design goes back to the older D5*** and D7*** where a stalk replaces the camera battery. Sadly no-one has actually seen one…and frankly for the additional size and weight, I think a spare battery in a pocket is going to be substantially cheaper and a better solution.
The bulk of the grip is for the two batteries. There are no electrical connections on the base of the Z series cameras (yet…who knows what future designs will give us…) so this is the only way to connect the batteries to the camera electronics. The original battery door unclips and can be stored on the grip. Aside from the obvious increase in autonomy, the battery grip gives more vertical depth, and thus better ‘grip’ !
Back to the Meike MK-Z7G. Meike have obviously given this a fair amount of thought – the machining is really top class, and there is even a location ‘stalk’ on the plate which mates to a recess in the camera bottom plate – this makes the alignment perfect.
Another nice touch is the way that they have included a recessed plastic block into which the original battery door is clipped – it retains it’s job of being a ‘door’, but flush with the underside of the plate, rather than hidden and almost inaccessible under the plate in it’s original position.
Sadly the plate is not supplied with a hex key with which to fix it to the camera – a detail, but a lot of the ‘L’ plates and other accessories purchased from China are supplied with these (so it’s ok for me – I’ve already got loads!!)
The plate increases the vertical depth by 19mm which is VERY useful and comfortable – my little finger feels quite at home and the overall grip is improved without a huge increase in size and/or weight.
Shipping included I found this for 32€ on eBay and the (free) shipping took 10 days.
It’s been a while – but I’ve actually been quite busy since the last article.There’s a little bit of catching-up to do:
This years edition was very well received – we had 77 participants and they all spent the day wandering around Auch (aimlessly!) taking photos…that was the point wasn’t it?
It wasn’t difficult for me to keep the themes secret – as it now seems to be only me who organises everything to do with the marathon, I just didn’t tell ANYBODY. Much easier.
The first indications showed up on the video projecter at 10h00 « Rdv at Ciné32 at 10h15 » – this is our local cinemea ‘complex’ and was easily within 10 minutes walking distance. I caught-up with the group at which point I announced that we would be heading off towards the river Gers. So we all set off…but after a couple of minutes I stopped everyone and asked if they would perhaps prefer to spend the morning exploring the abandonned military ‘caserne’ that we just happened to be passing…not unnaturally that got 77 heads nodding so we did just that – I had arranged for the gate to be unlocked and I was able to just open it and usher people onto the site!
We finally got back to the BIJ (the people really didn’t want to leave) at 12h45 at which point everyone started to download there images and eat their packed lunches.
We managed to consume 6 kilos of M&M’s, and produced 488 images. The jury sat the following Wednesday and tonight we will award the prizes.
I’ve known this circus company for a few years now – we’ve always got on well, and they often buy a few of my images. They came back to Auch in late May for a ‘residence’ and as usual, they brought a new ‘structure’ with them….and this thing is huge!
This thing moves every which way – the square outer part revoles around a center pivot – the circular inner ring also revolves around the same point, but it also turns within the structure… This is not at all clear from these images, but when there are 5 people leaping and climbing all over it, it creates a superb impression…I think I’ve got some good material from the presentation, and afterwards they asked me back to do a specific shooting – the spectacle will be having it’s first night in three weeks – and they don’t have any visuals yet!
Both our birthdays are in roughly a weeks time, so we’ve decided to celebrate both of them….in Germany. We’ve wanted to visit, so this will be our birthday present to each other!
We’ll be leaving on my birthday – and spending 4 days away – looking forward to this – if only to get away from Déclic!!
What’s this? I hear you say…another lens to test…could be.
The 14-30 f/4.0 has arrived and… how can I say this…. well, it’s everything I expected, and more. It’s small, light, and makes incredibly sharp (edge to edge) images. I had to go somewhere special to test its abilities…so off I went to the cathedral. (At least we’ve still got a roof on ours…)
The flare (sunspots looking directly or indirectly into the sun) is very well corrected, and the 14mm ultra-wide angle is made for me! This is also an unusual ultra-wide angle lens because as a general rule lenses of this focal length have a large bulbous front element which prevents the use of filters. Nikon have gone back to basics with this design and we now have an 82mm filter thread which means, for example, that we can now use a circular polarizer filter – something unheard-of before. Yes, the lens is ‘only’ an f/4.0 but I don’t think this will really cause anyone serious problems – the WEB is already alight with the ‘know-alls’ predicting the downfall of Nikon (and the rest of the civilised world…) because it’s not an f/2.8 (which, as it happens, will be coming out next year) but I’ll be happier to A: pay less than the f/2.8 and B: have a more compact (and lighter) lens, and finally C: enjoy using a polarizing filter! The difference in depth of field, particularly at the 14mm ‘end’ of the zoom range will be practically invisible. Yes, this means one ‘stop’ less light, but we also have camera bodies with excellent hi-iso treatment.
What is remarkable about these interior shots is that, even wide open at f/4.0 the quality is really there – edge to edge. Click on the image to enlarge it.
I will have to do a series of comparisons with the Nikon 14-24 f/2.8 and also the IRIX 11mm f/4.0 – these two will obviously be needing the FTZ adaptor, which is another reason why this new lens is so interesting.
I’m firmly convinced that this lens will fast become my ‘standard’ lens, combined with the NIKON Z 6 body with it’s in-body stabilisation, this is a superb combination!
My next testing series will be with a polarizer…this is going to be fun!
Right well that’s over for another year then. It was strangely quite a lot less stressful than I imagined it was going to be…and not staying until the bitter end each night/morning was a good move too.
The first evening, Friday, the headliners were a group I’ve photographed before at the Cri’Art in Auch – « La Caravane Passe » – the nice thing about this group of musiciens is that it’s a dynamic set right from the start, which makes it a whole lot more interesting to photograph.
Olivier actually remembered me from their concert at the Cri’Art – possibly because we spent most of our time talking about his home town Perpignan!
Saturday was unusually dry – I can’t remember a « Welcome » weekend where it hasn’t rained – the irony of the situation was that the town of Seissan, where the festival was held, have recently invested a lot of money in covering the otherwise unprotected concrete seating – don’t worry, I feel sure it’ll rain next year…
The headliner forSaturday was the virtuoso guitarist Titi Robin. He had contacted me before arriving to find out if I could do some publicity shots for him and his (3) bands….of course, Mr Robbin!
On stage, it was a different story – much more colourful!
Sunday was THE day – the rather well known headliner arrived very discretely and gave no interviews…but when he arrived on stage, everyone knew who he was…
In the ‘pit’ where the photographers were, we were all asking ourselves if the Kalashnikov bullets were real…
So all in all a lot less tiring than usual, the food was excellent as usual, and I met up with a great crowd of people that I meet up with every year, as usual. This was my 7th…I wonder if I get a chocolate when I get to ten…
PS With over 5000 images I hd a lot to sort through…and this one popped up after I’d processed the others – I love it, but understand if I’m in a minority…
Once upon a time a nice salesman working for ORANGE (France Telecom) knocked at the door and asked up if we wanted to get connected to the recently installed fibre-optic cable available in our neighborhood. We said yes as our bandwidth/Internet is excruciatingly slow here, despite not being that far from Auch, and we arranged a date for the work to be done.
The ‘boxes’ (which the technicians connect to the cable once it is installed in our house) arrived and we waited for the ‘fatal’ day when the work would be done. In the meantime, our neighbour told us that her rdv was a few days before ours and so we were keen to see how it all went.
I came home on the day her installation was due to have been completed, only to find that the technicien hadn’t been able to find the original telephone cable that led from a pylon outside the house, and arrived inside the living room – and had left, saying he’d come back another day.
This, frankly, was totally expected of ORANGE who seem to employ people who are a little thick. Anyway, we waited until TODAY, when we had been told the technician would arrive between 8 and 10am.
At 10h15 a van arrived – a man in a lovely yellow hi-visibility vest jumped out and introduced himself. He asked how I was, and I replied that it rather largely depended on his installation of our fibre. He replied that we had a problem, due to the fact that part of the cable the runs to our house from the road, was attached to an EDF (Electricity) pylon, and that he didn’t have the right to touch this. This was the same technician who had visited my neighbour the week before, had closely inspected the same pylon (where her cable is also attached) and hadn’t bothered to do anything about it.
Now we must wait until someone, somewhere decides that this idiot can lean his ladder on the pylon and attach our fibre-optic cable.
I wonder who pays for all the days I have to take off to organise all this?
These people are idiots – if you want a professional job, PLEASE find someone else.
UPDATE 8 days later and we’re still waiting to be contacted to arrange a new date.
UPDATE We’ve now been told we’ll be contacted around the 8th of May. Only just another month to wait… The text message telling us this said « Please be patient » – Do we actually have any choice?
Yes, it’s April, so it must be Welcome in Tziganie – and it is.
This is the next event I’ll be cleaning my cameras for – I’ll be spending three days, from the Friday to Sunday the 28th of April in Seissan – it’ll probably rain, but we’re used to it now.
This is the 4th year in Seissan, a village about 20 minutes South of Auch – initially the villagers were somewhat concerned about the arrival of these « hippies » who don’t seem to wash much, live in tents and eat vegetarian food (In the Gers???). But after a very successful first festival there in 2016, they welcome each new festival with open arms – and the municipality go to great lengths to modernise/build/adjust things to help accommodate both the artists and the visitors.
As you can see from the poster above, this year the rather well known film director (and guitarist) Emir Kusturica will be closing the festival on the Sunday evening. His « No Smoking Orchestra » will be interesting to photograph.
I’ve been asked to take some photographs of Titi Robin’s set on the Saturday as he’ll be playing with a new group of musiciens and his publicist doesn’t have any recent shots of him, or them. I’ll do my best – but I hope they realize that publicity shots have to be paid for?
On the Friday there’s a group that I’ve already met and photographed when they played the Cri’Art in Auch in 2016 – La Caravan Passe – great group of guys, so it’ll be nice to meet up with them again. (Thomas, the singer, also appears in a band called Soviet Supreme under the stage name of John Lennin!!)
Sadly my favorite dancer Nuria Rovira Salat won’t be there this year – fingers crossed she’ll be back next year!