Ian's-tagram

Well it’s easy isn’t it – you press on the button, take a photo and bamm! You’re a photographer.

Doesn’t matter what you take a photograph of – proof of this is the famous ‘Beckham’ photo book. Apparently one of the Beckham brood, named Brooklyn (but why not Clapham or Willesden?) decided he was a photographer one day, and that he was SO good he’d produce a book.

He must have been REALLY good because, to date, the book that has been out a few months has sold 3890 copies (probably to his groupie friends). Wow! He must be so talented…

This is Beckham – you can see he’s good because he’s holding a camera…or did I mean sucking a Chupa Chups, or wearing a Ford t-shirt? Oh, and I forgot to mention, he’s 10, or 15 or something like that. One memorable photograph was of an elephant – or rather it wasn’t – by the time the photo was taken the elephant had got bored and moved off – the caption read something like « it had to be seen to be believed » – bit like his ‘talent’…

Anyway, this is becoming more and more the ‘norm’ – everywhere you look people are declaring « Now I’m a photographer » despite the fact that they have no discernable talent – minor problem really. Be like the film critic in the Monty Python sketch – just shout louder in public.

I laughed the other day when one of these ‘photographers’ (Pro you know, not just an ordinary photographer) decided to announce on Facebook  – after being a ‘pro’ for about three days – that from now on, all his previously ‘free’ work would now be ‘paid’ work. All this without ever actually bothering to show what he is capable of, in terms of ‘paid’ work.

Oh I forgot, he did put up a message asking people to give him ideas for what he could take photographs of…a real pro!

UPDATE : This just gets better – today our ‘Pro’ photographer posted this on Facebook

I rather get the impression that everyone else has to do his work for him…

Only two performances this evening (It should have been three but I gave up in the end...)

First up was a duo of Australian artists called ACROBAT – Jo and Simon formed the group over twenty years ago and have been touring ever since, often in Europe. The performance started well but I can’t personally come to terms with the fairly explicit mud-wrestling scene at the end…takes all sorts, and as the title suggests « It’s Not For Everyone »

Next up was a new creation from Raphaëlle Boitel and the Cie L’Oublié(e) – this was more pure circus, with five artists on stage who are all ex students of one of the best known French circus schools, Académie Fratellini in Paris.

The five were very dynamic and versatile and the spectacle flowed very well, aside from perhaps a slightly long tableaux featuring a girl suspended by cords being dragged all over the place. One interesting feature – they managed to make an amusing tableau using the magnesium ‘chalk’ the artists put on their hands to absorb moisture (You can see the dust on the image above) – quite clever.

 

And it’s been an interesting few days.

Sunday was the day everybody (in Auch) was waiting for – Tatiana-Mosio Bongonga was going to tightrope walk across the Gers (river) and arrive next to the cathedral – and she did, smiling all the way!!

Monday was « Esquif » which also featured Tatiana and two other circus companies – this was very exciting and well worth the 1h40 – the time passed really quickly and the performance was excellent.

In this image there are 14 musicians on a wooden board, all playing their hearts out, and balancing on an (empty) gas bottle – another member of the troupe is pointing a large fan at the group of musicians, and as predicted, they are slowly spinning around !

Tuesday was hot and cold – « Knot » with Nikki & JD was short and really quite beautiful – a simple story of an ordinary couple, linked by very expressive dance – enjoyed this a lot – the proof in photos…

Later the same evening (22h30) was « Circus Remix » by Le Troisième Cirque. Very innovative, but often too long – a series of short (well, sometimes long) tableaux that actually lasted nearly two hours (with a short intermission). Personally I think this has to be reworked, but the basic idea is excellent, and the only person on stage, Sellah Saimoaossi, was very good.

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Started this years festival with a bang – Cie Samuel Mathieu and « Guerre » in the Salle Bernard Turin – excellent stuff.

Not easy to photograph as there were several extended periods of silence, and/or near darkness…but I managed a few decent shots IMHO.

This was followed by a concert at the Cri’Art – a Californian band called The Lords of Altamont – their music is described as ‘Garage’ – what can I say…

This guy is the singer/keyboard player – after the first number he threw his keyboard off the stage – I went to see the manager to find out why and it seemed he had managed to tear the plug off the power lead. Needless to say McGiver Grandjean managed to repair the cable and he was able to play to the end of the set…(Frankly can’t say whether that’s good or bad – the level was so high I couldn’t actually hear anything anyway, certainly not the famous Farfisa organ…)

Three more spectacles today – speak later…

This will take a little organising, but I’m fairly clear on the format now, and so I think it’s time to prepare for the launch of a new page dedicated to the spectacles that I cover as a photographer.

I’ m still not sure whether this will be a part of the existing iangrandjean.com website, or a whole new site – but there are already more than  270 individual ‘concert’ and ‘spectacle’  albums on the main site, and that’s not counting all the other rubbish out there! I can’t help feeling they’d be better off somewhere less confusing for the eventual visitor.

Too much information kills the information, or the informative value of the site, so I think it will be better to seperate this work from the rest of the visual content.

As to what to call it/where it should appear, and as sadly the pestacle.fr domain name has already been taken, I’m not too sure yet – possibly as a mini-site referenced from the main site home page. We’ll see… (Just checked and it seems pestacle.eu is still available…)

For the English reader (as there’s only one) ‘pestacle’ is a childish (French) deformation of the word ‘spectacle’ – which suits me down to the ground!

Why oh why is it so difficult to get rid of this ape?

In a recent report, Mr Sensitive (Trump) is reported to have commiserated with a grieving widow who had just lost her husband in an ambush in the Niger, saying « Well I guess he knew what he signed up for, but I guess it still hurt »

Fuckwit or what?

This man is not fit to hold the job he was « elected » to do…

Busy day yesterday – while waiting for the artist, Manu Galore, to walk to Auch from Jegun (4 hours) the guys in the Cri’Art ‘dressed’ the stage to make the whole thing a little more welcoming than just black everywhere.

Manu is doing a tour of France – on foot! So he walks, rides, sails everywhere. The previous evening he had been near Jegun, about 20 kilometers from Auch, and early Friday morning he set off to arrive with us at Lunchtime.

After a soundcheck etc. he went off to have a rest before the evening concert.

I meanwhile visited the Library Petits Papiers where the book celebrating the 30 years of the Circus Festival was being launched.

I’m obviously invested as I have a few images in the book – but it will also be quite interesting to learn how the whole ‘system’ has developed over the years. I’ve been covering the festival for only 5 years so I’m a relative newcomer…

Back to the Cri’Art – we all went to dinner at 7pm – and managed to stagger back to the venue before the door opening at 20h45 – Manus parents had come from Toulouse to see the concert (but also to bring a bike for Manu to use to ride to Marciac where his next concert will be on Saturday evening. Marciac is nearly 40kl away from Auch so he decided it might just be a bit too much…

The concert went very well – he’s a talented pianist/singer/songwriter, and last year won a TV talent show, although he’s « been around a bit » already – this tour of France is due to last two years – and this is only just the beginning. For the last three songs he was joined o stage by a friend of his Patrice – sadly the dreadful lighting has prevented me from getting any decent shots of the two together.

Seems like it was only yesterday we were finishing up the 29th edition – and the 30th is now only a week away…

I will normally be seeing around 15 spectacles – some companies I know, some new – so it’ll be an interesting 10 days for me.

The festival is also the opportunity to meet up with people who are not necessarily there to perform, but who come to see the others, so I’m able to keep in touch with the companies I have photographed in the past. This  sometimes pays off as there have been occasions where I’ve had commissions due to fortuitous meetings!

To celebrate the 30th year of the Festival, CiRCa have produced a book which will be unveiled this coming Friday – great anticipation as there are a number of my images inside…

Diament the caricature artist, will no doubt be there, as he is most years, and it’s a real pleasure to see him at work – he works with astonishing speed, sometimes barely looking at the paper on which he’s working.

A company I am really keen to see again is Circa Tsuica/ Cheptel Aleïkoum – I know nearly all of them and they will be performing this year. I haven’t yet seen their latest offering « Les Princesses » – can’t wait for that!

Last but by no means least, in addition to my Festival 2016 expo on the patio at CiRCa, I have a retrospective of the residences I’ve covered during 2016/17, at the Cant’Auch during the festival – I’m everywhere at the moment (he said modestly…)