{"id":3229,"date":"2025-02-19T08:40:10","date_gmt":"2025-02-19T07:40:10","guid":{"rendered":"https:\/\/www.iangrandjean.com\/blog\/?p=3229"},"modified":"2025-02-19T08:40:10","modified_gmt":"2025-02-19T07:40:10","slug":"peter-lindbergh","status":"publish","type":"post","link":"https:\/\/www.iangrandjean.com\/blog\/2025\/02\/19\/peter-lindbergh\/","title":{"rendered":"Peter Lindbergh"},"content":{"rendered":"\n<p><strong>Peter Lindbergh<\/strong> sadly left us back in 2019, but his huge legacy lives on &#8211; and frankly it&rsquo;s so stimulating to look at his work. It&rsquo;s not simply the case that he managed to attract some really very attractive women infront of his lens, but more the beauty and sincerity of his images.<\/p>\n\n\n\n<p>I recently received his book \u00ab\u00a0<strong>Shadows on the Wall<\/strong>\u00a0\u00bb which came out in 2017. This book is made up of images (<em>some of over 37,000 it seems<\/em>) taken during shooting for the 2017 Pirelli Calendar.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.iangrandjean.com\/blog\/wp-content\/uploads\/2025\/02\/lindbergh.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/www.iangrandjean.com\/blog\/wp-content\/uploads\/2025\/02\/lindbergh-1024x1024.jpg\" alt=\"\" class=\"wp-image-3230\" srcset=\"https:\/\/www.iangrandjean.com\/blog\/wp-content\/uploads\/2025\/02\/lindbergh-1024x1024.jpg 1024w, https:\/\/www.iangrandjean.com\/blog\/wp-content\/uploads\/2025\/02\/lindbergh-300x300.jpg 300w, https:\/\/www.iangrandjean.com\/blog\/wp-content\/uploads\/2025\/02\/lindbergh-150x150.jpg 150w, https:\/\/www.iangrandjean.com\/blog\/wp-content\/uploads\/2025\/02\/lindbergh-768x768.jpg 768w, https:\/\/www.iangrandjean.com\/blog\/wp-content\/uploads\/2025\/02\/lindbergh-100x100.jpg 100w, https:\/\/www.iangrandjean.com\/blog\/wp-content\/uploads\/2025\/02\/lindbergh.jpg 1080w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/a><\/figure>\n\n\n\n<p>This image shows the sheer size of the book !<\/p>\n\n\n\n<p>The women photographed are not models in the traditional sense, and they&rsquo;re not treated as such &#8211; no make-up (or at least, very limited make-up) and the images &#8211; these are actresses for the most part, people we&rsquo;re used to seeing with make-up, and hair prepared, wearing beautiful clothes&#8230;<\/p>\n\n\n\n<p>The individual comments from each person photographed show the warmth and appreciation of Peters approach to image creation &#8211; with the most common reflection that he is never stressed, talks little, and just lets the person a huge freedom, both of movement and expression.<\/p>\n\n\n\n<p>This shows in the images &#8211; some obviously &lsquo;stronger&rsquo; than others, but all beautiful, textured with terrific warmth &#8211; faithful to his wish that he prefers black and white photography to colour.<\/p>\n\n\n\n<p>Peter makes the point (in an video about this shoot on YouTube) that he doesn&rsquo;t use PhotoShop or any other image treatment on a computer &#8211; what you see is what you get, in the sense that we see in this book exactly what he saw looking through the eyepiece of his camera &#8211; faults and all! Frankly I can find little fault with anything I&rsquo;ve seen here&#8230;<\/p>\n\n\n\n<p>At the moment of writing, the publisher TASCHEN is offering this work (of art, really) at 49\u20ac post free.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Peter Lindbergh sadly left us back in 2019, but his huge legacy lives on &#8211; and frankly it&rsquo;s so stimulating to look at his work. It&rsquo;s not simply the case that he managed to attract some really very attractive women infront of his lens, but more the beauty and sincerity of his images. I recently &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.iangrandjean.com\/blog\/2025\/02\/19\/peter-lindbergh\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Peter Lindbergh&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3229","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/www.iangrandjean.com\/blog\/wp-json\/wp\/v2\/posts\/3229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iangrandjean.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iangrandjean.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iangrandjean.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iangrandjean.com\/blog\/wp-json\/wp\/v2\/comments?post=3229"}],"version-history":[{"count":1,"href":"https:\/\/www.iangrandjean.com\/blog\/wp-json\/wp\/v2\/posts\/3229\/revisions"}],"predecessor-version":[{"id":3231,"href":"https:\/\/www.iangrandjean.com\/blog\/wp-json\/wp\/v2\/posts\/3229\/revisions\/3231"}],"wp:attachment":[{"href":"https:\/\/www.iangrandjean.com\/blog\/wp-json\/wp\/v2\/media?parent=3229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iangrandjean.com\/blog\/wp-json\/wp\/v2\/categories?post=3229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iangrandjean.com\/blog\/wp-json\/wp\/v2\/tags?post=3229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}